Eka Pada Koundinyasana - One Legged Side Crow

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HOME PRACTICE TO SUIT YOUR NEEDS
While writing an article for Wellfest on demystifying Crow, it reminded me how much I love to play around with arm balances in my home practice. Most weeks my practice centers around sequencing classes – ready to teach and write up the accompanying blog post for my students. This week I’m enjoying being light on classes, which has given me the opportunity to go deep into my own practice and really explore what poses I love, and what poses challenge me. There is nothing better than starting the day with a home practice that is exactly what you need for that particular day. This week I’m working on my arm balances. They tick both boxes – they are poses that I love and find challenging at the same time. Arm balances build focus, heat, strength and stamina. They are great for building self confidence when you manage to lift those toes for the first time; and teach you humility if you’re having a day when the feet just won’t budge off the ground. Your practice is not about ticking off poses as you ‘master’ them, it’s about revisiting the poses that sit well with you to find comfort in them, and practicing poses that challenge you physically and emotionally in order to tackle life off the mat too.

THE BENEFITS OF EKA PADA KOUNDINYASANA/ONE LEGGED SIDE CROW
If you’ve read a few of my previous sequence articles you’ll have noticed I’m all about gut health. Eka Pada Koundinyasana/One Legged Side Crow is also a twist which aids healthy digestion, detoxification and optimal elimination – and with a happy gut comes a happy immune system. They also ease stress, tension and anxiety. If you are feeling wound up, wind yourself up in a twist – the compression and massages the organs, and on releasing the twist you feel a loosening of the physical and emotional tension as the fresh oxygenated blood flows back into all the organs, and triggers the rest and restore parasympathetic nervous system.

EXPLORING EKA PADA KOUNDINYASANA/ONE LEGGED SIDE CROW IN YOUR PRACTICE
As you flow through your practice pay particular attention to your twists. Feel into the muscles that work to twist the body as they strengthen and stretch. The arm balances start with Tripod Headstand, if it is not part of your practice, skip it and go straight to Parsva Bakasana/Side Crow. If you’re finding it hard to lift up try placing your right hip on your right elbow, and your right knee on your left elbow – so that the body weight is being distributed on both elbows rather than just on your left elbow. Unlike our feet, the wrists were not made to carry full body weight, so be kind to them – rest in Balasana/Child’s Pose between Parsva Bakasana/Side Crow and Eka Pada Koundinyasana/One Legged Side Crow if your wrists need a break.

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ALIGNMENT CUES
The sequence is designed to warm up the core, strengthen the shoulders and wake up the hip flexors. Move slowly through the sequence and let the body warm up and be ready to play with your peak poses.

Print out the below tips, along with the sequence, and give arm balances a go with fresh eyes:

  • From Malasana, with feet together, twist to your right, place your hands on the ground to the right of your feet a little wider than shoulder width, fingers facing away from the legs

  • Bend your elbows and place your left elbow above your right knee.

  • Strongly draw your navel towards your spine, round your upper back. Lean to your right side, shift your weight into your hands.

  • Exhale, lift your feet stretch your right leg out to your left parallel to the ground, reach your left leg out behind you and press out through balls of both feet, gaze slightly forward.

Some days I’m not at my most elegant in my arm balances but it’s important to remember it’s how they make your feel inside that matters.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru

Camatkarasana - Wild Thing

WHAT'S YOUR HAPPY POSE
Last week I delved deep into Virabhadrasana III/Warrior III and found peace with my limitations, and with all the complicated anatomical nuances of the pose. This week I feel justified to pick one of my happy poses and build a whole sequence around it. Camatkarasana/Wild Thing is the ultimate heart opening pose. The pose grows from your toes grounding down; radiates through a beautiful full body arch; manifests into the pinnacle of the pose – your heart centre; and continues down through the tip of your crown and your fingertips. With all that happening it definitely deserves the title of one of my happy pose. When teaching this sequence I noticed such happy elated vibes in the class when we all came out of the pose – which is often not the most elegant transition!

THE BENEFITS OF CAMATKARASANA/WILD THING
From an anatomical point of view it opens the chest, relieves shoulder tension and encourages full body core activation to lift your hips up. We all carry tension in our shoulders, spend most of our day with our upper back curled, and our hips flexed in a seated position – opening up into Camatkarasana/Wild Thing, savouring the stretch across the chest, shoulders and hips feels like heaven. As a backbend it is energising, aids digestion, eases stress, anxiety, tension, and boosts the immune system.  When you arch from your toes to the tip of your crown you are in a full body backbend, your heart is above your head which takes you into an unexpected inversion too with all its additional benefits.

EXPLORING CAMATKARASANA/WILD THING IN YOUR PRACTICE
When coming into the pose try not to spend too much time in Vasisthasana/Side Plank. They are both arm balancing poses and, although a strong joint, the wrist can fatigue very quickly. Follow the arch of the pose all the way from your toes, through your strong legs, your hips, your chest opening, and descend into the tip of your crown and your fingertips. Be aware of all your limbs and include them into the pose. Try to come out of the pose as consciously as you entered into it. Exhale and draw your navel towards your spine, curl in on yourself and gently flip back to Vasisthasana/Side Plank. It can be nice to take a few breathes in Downward Dog to take a bit of weight out of the wrists before you transfer over to the second side.

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ALIGNMENT CUES
The above sequence will melt tight chests, warm up your spine and stretch your hip flexors in preparation for an invigorating Camatkarasana/Wild Thing.

Print out the below tips, along with the sequence, and enjoy the happy pose:

  • From Vasisthasana, step your left foot behind your right leg with a bent knee.

  • Ground into your right foot to lift your hips up and arch your upper back.

  • Rotate your left palm to face the front of the mat, sweep your arm up and over your ear.

  • Arch through your whole back, lengthen your neck and softly reach your head back.

  • Expand through the collarbones to open through your heart centre, gaze up.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru

Virabhadrasana III - Warrior III

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MAKING PEACE WITH WARRIOR III
After years of getting frustrated by how difficult I found Virabhadrasana III/Warrior III I have finally made peace with it. That’s not to say I have found perfection in the pose, but by breaking down its components I understand better why it is a tricky pose. The main challenge of Virabhadrasana III/Warrior III is that essentially it is a balancing pose where the standing leg is carrying the full weight of the body, and your centre of gravity is challenged by the back leg extending back and the upper body extending forward like a seesaw. You are also reaching back through the heel of that back leg with nothing to press against, which makes it much harder to find strength in the lifted leg. Your back is lifting the weight of the whole upper body, and the standing leg is stretching the back of the hip and the hamstrings. This means the upper body is using the muscles of a backbends, while the lower body is using the muscles of a forward bend. With all this going on the core strength is being recruited in its full circumference – front, sides and back – to stabilise you. All these opposing actions happening at the same time, it's no wonder we find Virabhadrasana III/Warrior III challenging!

THE BENEFITS OF VIRABHADRASANA III/WARRIOR III
Virabhadrasana III/Warrior III is very strengthening for the ankles, legs, shoulders and spine. It gives an opportunity to use the deep muscles of the care to find you balance and work against gravity to keep you reaching in both directions.

EXPLORING VIRABHADRASANA III/WARRIOR III IN YOUR PRACTICE
When you are coming into the pose keep the back foot on the ground for an extra breath before you lift up till you find the power of the muscle. If you are finding it hard to establish your balance bend the standing leg and press your foot into the ground. Lowering your centre of gravity makes it easier to find your balance. If you are finding it very hard to press through the lifted leg bend your knee and look for the strength of your muscles. Work on keeping your hips level and keep the raised leg lower than parallel to the ground if the hip of the back leg lifts up. Play around with flexing and pointing the foot of the raised leg. You’ll notice with the toes flexed you rely more on the quads to lift the leg and when pointed the hamstrings come into play.

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ALIGNMENT CUES
The above sequence strengthens your hamstrings, quads, glutes and core first and then gently stretches them in preparation for you peak pose.

Print out the below tips, along with the sequence, and take some extra time in your Warrior III:

  • From Ashta Chandrasana/Eight Crescent Moon or Virabhadrasana I/Warrior I, place your hands on your hips, inhale, lean forward and step your left leg forward a little.

  • Exhale, hinge forward from the hip joint, lift your left leg parallel to the ground behind you, hips level to the ground. Roll the inner thigh of your left leg up, flex your foot and press out through the heel.

  • Reach your arms back or reach your arms forward in line with your ears, lengthen through your spine and the sides of the body, gaze to the ground, or to your fingertips if your arms are forward.

Enjoy establishing a new relationship to Warrior III with no self judgement and perfectionism.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru